As of March 2015, all content here has been moved to a more user-friendly site. Please visit www.deborah-puette.com for the most up-to-date information. Thanks.

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Actress, writer, friend to spiders. Caught on a bramble near the Hollywood sign.


When you tell people you're an actor and writer, they usually have questions like these:

WHAT HAVE I SEEN YOU IN?

Sam Raimi's 3D blockbuster OZ The Great and Powerful and his pilot for Fox entitled Rake, NBC's Revolution (pic above), executive producer Steven Spielberg's Extant on CBS, True Blood, The Office, Parks and Rec, Grey's Anatomy and more, at IMDb.

Lucky enough to know about the vibrant theater scene in L.A.? Then maybe you've seen me onstage.

CAN I WATCH ANY OF THAT?
Why yes. Yes you can. Below on the right are some videos from work I've done, including the trailer to a short film I recently wrote, produced and starred in entitled Cash for Gold (so far an official selection at the Hollywood Film Festival, Florida Film Festival and Sonoma International Film Festival. Hello, wine country.)


WHAT HAVE YOU WRITTEN??

A number of personal essays, some of which are published on this blog, and some of which you can catch me around town reading aloud for audiences. A short film called Cash for Gold (see above). A television pilot you haven't seen yet.

WHAT ELSE?
I'm a pretty good cook, a really good mom, and an irrepressible fidgeter.

Be my guest and look around as long as you'd like. I promise no pushy sales ladies will bug you.

I'm glad you're here.



Sunday, May 18, 2014

rave review from The Hollywood Reporter for 'A Delicate Balance'

"This fine revival of Edward Albee's Pulitzer Prize-winner makes a splendid case for its place in the canon of American theater.

A Delicate Balance (1967) won the Pulitzer Prize shamefully denied Edward Albee for Who’s Afraid of Virginia Woolf?. Spiky, stilted and maybe maddening to many, it was probably the most abstruse honoree at that point in the award’s history. Albee managed the difficult feat of being muskily dated and vanguardishly visionary at the same time. Nearly a half century later, it has grown inordinately antique yet perhaps more scathingly pertinent than ever. It’s rarely revived, and this manicured yet powerful mounting makes a splendid case for its place in the canon of American theater."

You can read the full review HERE.

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